翻訳と辞書 Words near each other ・ Portrait of Monsieur Bertin ・ Portrait of Ms Ruby May, Standing ・ Portrait of My Father (Dalí) ・ Portrait of My Love ・ Portrait of Namjar ・ Portrait of Narcissus ・ Portrait of Olivia Boteler Porter ・ Portrait of Omai ・ Portrait of Oopjen Coppit ・ Portrait of P. D. Q. Bach ・ Portrait of Pablo de Valladolid ・ Portrait of Paquius Proculo ・ Portrait of Perugino (Raphael) ・ Portrait of Philip IV in Armour ・ Portrait of Philip IV in Fraga ・ Portrait of Pier Maria Rossi di San Secondo ・ Portrait of Pietro Aretino ・ Portrait of Pietro Bembo (Raphael) ・ Portrait of Pope Julius II ・ Portrait of Pope Paul III (Titian) ・ Portrait of Pope Paul V ・ Portrait of Pope Pius VII ・ Portrait of Prince Philip Prospero ・ Portrait of Princess Saint Joana ・ Portrait of Professor Benjamin H. Rand ・ Portrait of Père Tanguy ・ Portrait of Queen Christina of Denmark ・ Portrait of Queen Henrietta Maria, as St Catherine ・ Portrait of Sebastián de Morra ・ Portrait of Seymour H. Knox Dictionary Lists mini英和辞書 mini和英辞書 Webster 1913 Latin-English FOLDOC Wikipedia English ウィキペディア

翻訳と辞書　辞書検索 [ 開発暫定版 ] スポンサード リンク Portrait of Pier Maria Rossi di San Secondo ： ウィキペディア英語版 Portrait of Pier Maria Rossi di San Secondo ''Portrait of Pier Maria Rossi di San Secondo'' is a painting by the Italian Mannerist artist Parmigianino, executed around 1535–1539 and housed in the Museo del Prado, Madrid, Spain. The subject was Count of San Secondo, and the painting forms a pair with a group portrait of his Countess and their children, ''Portrait of Camilla Gonzaga and Her Three Sons'', although the latter is not unanimously attributed to Parmigianino. ==History== It is mentioned in a 1686 inventory of the collections of the Royal Alcazar of Madrid, as the ''portrait of count of San Sigundo''. The subject has been identified with Pier Maria III de' Rossi basing on this note, and by another from 1630 by one of his descendants about the existence of a portrait of him by Parmigianino. The painting arrived in Spain in 1664, after King Philip IV had supported the Rossi family in a dispute with the Farnese of Parma about some territories. It has been dated from around 1535 to 1539, based on the age of Pier Maria (born in 1508) in the portrait, and a statement by Parmigianino's contemporary, the art historian Giorgio Vasari, that the artist took refuge at Pier Maria's court in the period in question. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Portrait of Pier Maria Rossi di San Secondo」の詳細全文を読む スポンサード リンク 翻訳と辞書 : 翻訳のためのインターネットリソース Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.